My work is an act of transformation. I make the invisible visible, converting the ephemeral into a monumental, tangible reality.

As a painter, I dedicate myself to the archaeology of the future and the anatomy of sound on a large-scale canvas. I view myself as a translator, taking the abstract forces that shape our modern existence and transposing them into a physical, immediate experience.

My dystopian portraits are not mere predictions; they are forensic dissections of the human psyche in the age of total digitalization. Rendered in black and white, I deconstruct the human form down to its digital and algorithmic components. Man becomes data, identity becomes a glitch, and the canvas becomes the battleground where organic matter fights against the cold logic of the circuit. These works are a visual cry for consciousness against the looming threat of assimilation.

In parallel, I interpret music as a universal blueprint for emotion and structure. I dismantle songs into their frequencies, rhythms, and lyrical intentions to transfer them 1:1 onto the canvas in an active process of synaesthesia. The results are not illustrations, but seismographic records of sound—monumental, coloured or monochromatic scores that turn the listener into a viewer.

Every large-format work I create is a statement about control and catharsis. They challenge the viewer to accept the invisible dictates of technology and the fleeting patterns of sound as the true, tangible forces of our time.