``Sovereignty is the resonance of a human frequency refusing to be compressed into digital entropy.``

My work is an interdisciplinary laboratory where the precision of science meets the visceral brutality of matter. As a scientist and artist, I do not view the canvas as a decorative surface, but as a forensic site where I reconstruct the invisible forces that define our reality: sound, time, and human identity.

SOUND. SHAPE. SOUL

In my Sonic Mapping series, I translate the fleeting energy of acoustic frequencies into permanent physical structures. By utilizing chemical oxidation processes—the controlled interaction of iron, copper, and acids—I allow the laws of nature to participate in the creative act. These abstract works are seismic records of resonance; they are the ``hardware`` of human emotion, where music is stripped of its transience and anchored in the raw texture of eroding metal and pigment.

FUTURE. HUMAN. EXPOSED

While Sonic Mapping explores the physical nature of frequency, my figurative work in Project 2052 and Manifest 2062 investigates the ``software`` of the future soul. Through the lens of 11 specific characters, I examine the digital erosion of the individual. These works are ``phygital`` entities. I utilize Extended Reality (XR) and integrated digital video layers to create a multi-dimensional narrative. Artificial Intelligence is not used as a mere tool, but as a mirror to question our own biological sovereignty. Each portrait is an ethical inquiry: How much of our human essence can survive the transition into a post-digital era?